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The Photography Show 2024. Photograph by Erica Price.
APPLICATIONS NOW OPEN FOR THE PHOTOGRAPHY SHOW 2025
MAIN GALLERY SECTOR
AIPAD + Exposure are thrilled to announce The Photography Show 2025 at the iconic Park Avenue Armory. The 44th edition of the premier fine arts photography fair will run from April 23 - April 27, 2025.
Early bird applications to exhibit in the Main Gallery Sector are now open! Early Application period ends September 20, 2024. If you have any questions or require further information, please reach out to info@aipad.com.
APPLY HERE
SUMMER SHOWS
Exposure is highlighting five exhibitions on view this month at AIPAD member galleries, from gestural color work and unconventional portraiture to activist images.
Blandine Soulage, Déviation nº12, 2021.
Courtesy Koslov Larsen
COLOR TAKES CENTER STAGE
Vivid color - pink, green, red, and yellow hues - are common elements in the work of Blandine Soulage and Laura Bonnefous, whose work is on view through August 23 in the exhibition Concentrique at Koslov Larsen Gallery (Houston). Both photographers focus on bodies in space. In Soulage's series Déviation, bodies interact in unexpected ways with architectural elements: people cling to columns; drape over walls; or form sculptural elements within architectural shapes. Soulage worked with dancers for this series, photographing them without showing their faces, allowing for open-ended narratives. Bonnefous was drawn to the city of Kilamba, in Angola, for the distinctive color schemes of its neighborhoods, for the pastel-hued architecture and the quality of light, and out of a desire to explore the lives of the few occupants of this ghost town. She photographed people embracing, the gestures graceful and affectionate, and girls with beads and ornaments in their hair, images that capture a sense of beauty and tenderness, imbued with color.
Blandine Soulage, Déviation nº18, 2022.
Courtesy Koslov Larsen
Laura Bonnefous, Women in Green, Kilamba, 2022.
Courtesy Koslov Larsen
Laura Bonnefous, Girl with Yellow Leaves, Kilamba, 2022.
Courtesy Koslov Larsen
AN UNCONVENTIONAL TAKE ON THE LEGACY OF COLONIALISM
Cristina Velásquez, Mariajesus, 2022.
Courtesy Assembly
Color is also a central element of Assembly's (Houston) exhibition of work by Cristina Velásquez (El Nuevo Mundo), on view through August 17. Velásquez's photographs of disembodied hands or feet, or people whose faces are covered or turned away from the camera, explore issues of identity, colonialism, and labor. A native of Colombia, she considers the idea of mestizaje, the mixing of different cultures and ethnicities, employing both photography and weaving in her work. And while her photographs are rooted in serious subjects, there is a playful element to them as well, like the two feet, toenails painted bright red, that poke out from a sheet of gold fabric. Her images, which undermine conventional dichotomies that separate "modern" and "traditional" cultures, are sensory objects, evoking the warmth of the sun or the feeling of fabric or a leaf against the skin.
Cristina Velásquez, Green studio, 2022.
Courtesy Assembly
Cristina Velásquez, Anónimo, 2022.
Courtesy Assembly
Cristina Velásquez, Girl and green backdrop II, 2022.
Courtesy Assembly
A PHOTOGRAPHER AND ACTIVIST
Gordon Parks, Untitled, Chicago, Illinois, 1957. Photograph by Gordon Parks.
Courtesy of and copyright The Gordon Parks Foundation
Gordon Parks saw the camera as a weapon against racism, poverty, and other social ills, and he took up that weapon during the course of his long career, making photographs that documented American life and culture from the 1940s into the 2000s. Through August 30, some 40 photographs are on view at Pace Gallery's Los Angeles venue, in an exhibition curated by Kimberly Drew, the gallery's curatorial director. The show includes iconic works such as American Gothic, 1942, of Ella Watson, an FSA employee, posing with a mop and bucket against the backdrop of the American flag, as well as selections from Parks' series Segregation Story from 1956, including Department Store, Mobile, Alabama, 1956, of a woman and her niece under a fluorescent "Colored Entrance" sign. With a selection of images first appearing in Life magazine, Segregation Story features more than 70 photographs of a multigenerational Black family, the Thorntons, including Mr. and Mrs. Albert Thornton, Mobile, Alabama, 1956, which was the opening image of the photo essay and is also on view at Pace.
Gordon Parks, Untitled, North Carolina, 1985. Photograph by Gordon Parks.
Courtesy of and copyright The Gordon Parks Foundation
Gordon Parks, Mr. and Mrs. Albert Thornton, Mobile, Alabama, 1956. Photograph by Gordon Parks.
Courtesy of and copyright The Gordon Parks Foundation
Gordon Parks, Department Store, Mobile, Alabama, 1956. Photograph by Gordon Parks.
Courtesy of and copyright The Gordon Parks Foundation
A CALL TO ACTION
Gordon Parks, Untitled, 1941.
Courtesy Jenkins Johnson Gallery, (c) The Gordon Parks Foundation
Gordon Parks is also among the photographers included in The Culture from which I Sprang, on view at Jenkins Johnson Gallery in San Francisco through September 21. The seven artists in the show, which commemorates the 60th anniversary of the Civil Rights Act of 1964, include Parks, Andre D. Wagner, and Lola Flash, as well as Dewey Crumpler, Wadsworth Jarrell, Greg Rick, and Philemona Williamson. The Civil Rights Act, which prohibited discrimination based on race, was also the end of the Jim Crow era, on paper, if not in reality. The artists in the show have made work in response to that reality - from Wagner's image of a group of Black children playing, carefree, in a spray of water or a couple kissing in the middle of the Manhattan hustle and bustle, to Lola Flash's color image of two nude women embracing, from her Cross-Colour series. In the gallery's Brooklyn location, Block Party II is on view through September 21, celebrating the joy and community that characterize the history of block parties throughout Brooklyn. The show includes work by Quinci Baker, Adrian Burrell, Mustafa Ali Clayton, Laurena Finéus, Quil Lemons, Collins Obijiaku, Gregory Rick, Andre D. Wagner, and Demetrius Wilson.
Andre D. Wagner, Bed-Stuy, Brooklyn, 2016.
Courtesy Jenkins Johnson Gallery
Andre D. Wagner, Manhattan, NY, 2017.
Courtesy Jenkins Johnson Gallery
Lola Flash, Basking, Provincetown, Mass. (Cross-Colour Series), 1988.
Courtesy Jenkins Johnson Gallery
BOARDWALK MEMORIES
Fritz W. Neugass, Wonder Wheel, Coney Island, c. 1940s.
Courtesy Keith de Lellis Gallery
Keith de Lellis Gallery (New York) is saluting summer with a show that looks back at the history of Coney Island. Coney Island: Dreamland is on view through September, with photographs from the 1920s to the 1970s of New Yorkers sunbathing, strolling the boardwalk, flirting, swimming, eating Nathan's Hot Dogs, drinking beer, and taking in the rides and the games. Coney Island became an amusement park at the turn of the 20th century, after Sea Lion Park, an enclosed amusement park, opened in 1895. Dreamland amusement park opened a few years later, and when the boardwalk opened in the 1920s, Coney Island became a summer escape for working-class New Yorkers (the subway fare was a nickel at the time, and it became known as the Nickel Empire). The show includes Fritz Neugass' 1940s photograph of the Wonder Wheel, which remains a Coney Island landmark today; Harold Feinstein's photograph of a man with a beer in hand, a cigarette in the other, his arm draped around his wife's shoulders, while she gives a dimpled grin to the camera; and four serious lifeguards posed for Edward Rutter in 1922, the winners of a one-mile relay race.
Harold Feinstein, Man with Wife Drinking Krueger Beer, 1952.
Courtesy Keith de Lellis Gallery
Edward Rutter, Winners of the One Mile Relay Race, Coney Island, 1922.
Courtesy Keith de Lellis Gallery
Marvin E. Newman, Untitled, 1952.
Courtesy Keith de Lellis Gallery
AIPAD TALKS
During AIPAD's Photography Show in April, artists Carla Williams, pictured below, (whose book Tender won the Paris Photo-Aperture First Photobook Award in 2023), Siân Davey (whose book The Garden was shortlisted for the Prix Pictet in 2023), and Matt Wilson (whose series Stateside was shown at Galerie Sit Down this past spring) joined Stephen Frailey, editor of Dear Dave magazine, for a series of intimate discussions focusing on the convergence of influences, process, and inspiration in art making. The talks were recorded, in case you missed them, and can be found here.
2024 AIPAD + DEAR DAVE Series: A conversation with Carla Williams and Stephen Frailey.
MEMBER NEWS
Baudoin Lebon and Galerie Miranda will partner for the fall. From September to December, Galerie Miranda will welcome Baudoin Lebon as a "guest gallery" in its space in Paris. The two galleries will share the walls for a season, taking the opportunity to cross-fertilize their rosters and explore their deep connection to Australia.
Member shows open this month:
Bildhalle Amsterdam (Amsterdam), Where Are You – Chantal Elisabeth Ariëns, through August 31
Bruce Silverstein (New York), Summer Glow, through September 7
Catherine Couturier Gallery (Houston), Jeffrey Becom: Painted Villages of Ecuador, through August 17
CLAMP (New York), Sharp Cuts: Queer Collage, through August 29
Danziger Gallery (New York + Online), Corinne Vionnet: Paris Paris Paris / Robert Frank - Centenary, through September 6
Etherton Gallery (Tucson), Redux: Selections from The Photography Show Presented by AIPAD, through September 21
Fahey/Klein Gallery (Los Angeles), Face the Music: The Legacy of Music Photography, through September 7
Galerie XII (Los Angeles), Branches as Bridges / Jeremiah Chechik: Explorer, through August 24
Holden Luntz Gallery (Palm Beach), Summer Snapshots: A Celebration of Sunlit Moments, through August 24
Howard Greenberg Gallery (New York), Printer Savant: Lumiere Press and the Art of the PhotoBook, through August 16
The Hulett Collection (Tulsa), Danny Lyon: Thirty Photographs (1962-1980), through August 24
Jackson Fine Art (Atlanta), Private Collection Salon and Sale, August 17 - September 21
Jenkins Johnson Gallery (San Francisco + Brooklyn), The Culture from which I Sprang / Block Party II, through September 21
Joseph Bellows Gallery (La Jolla), Steve Fitch: American Motel Signs, through August 31
Keith de Lellis Gallery (New York), Coney Island: Dreamland, through September 27
Kicken Berlin (Berlin), 50 Years | 50 Photographs, through December 20
Marshall Gallery (Santa Monica), Land/Space: Rodrigo Valenzuela & The New Topographics, through August 17
Michael Hoppen Gallery (London), Outside Inside, through September 20
Monroe Gallery of Photography (Santa Fe), Tony Vaccaro: The Pursuit of Beauty, through September 15
Nailya Alexander Gallery (New York), Summertime, through August 31
Obscura Gallery (Santa Fe), Parallel Playground, Douglas Miles & Al Díaz, through September 1
Peter Fetterman Gallery (Santa Monica), Her: The Great Women Photographers, August 17 - November 23
Robert Klein Gallery (Boston), Danny Lyon: The Bikeriders, through August 31
Robert Koch Gallery (San Francisco), Ljubodrag Andric, India, through August 17
Scheinbaum & Russek (Santa Fe), A Distinguished Eye, through September 6
Staley Wise Gallery (New York), Pairs, through August 16
Stephen Bulger Gallery (Toronto), Louie Palu | Distant Early Warning, through August 24
Throckmorton Fine Art (New York), Frida Kahlo Forever Yours, through September 28
Weinstein Hammons Gallery (Minneapolis), Teo Nguyen Sojourn
Yancey Richardson Gallery (New York), Immersion, through August 16
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