Reconstructed
In “Anonymous Women: Reconstructed,” the woman becomes part of her excessive domestic trappings and activities. “Reconstructed” is commentary on obsession with collecting, designing, and decorating, inviting hilarity and pathos in our relationship with “things.” The photographs are life-size installations made in the studio using household objects as subject matter. A mannequin substitutes for the woman, where camouflage and anonymity reaches its logical conclusion of extreme absurdity, as she perpetually disappears into the artifice and visual overload of colors and patterns in her environment. Finding the anonymous woman in the chaos becomes an interactive scavenger hunt.
